Order of the Good Write

That Magic Feeling When the Words Flow. A Blog by Debi Rotmil

Be Careful of the Under Toad!


Screenshot 2014-11-30 18.15.10

‘The World According to Garp’

Something extremely rare is happening here in Los Angeles. It’s raining. For the first time since moving into my current home (over two years ago), I’ve sat in on a dark, cloudy, raining Sunday watching a film. And that film was “The World According to Garp” – a viewing I haven’t had since it came out 30 years ago.  The beaucolic feel of the rain outside while watching a film that was shot in towns near my home town made me feel like I was back in New York. Then, the painful realization of the passage of time hit me, and I’ve been melancholy ever since the end credits rolled.

I remember reading ‘Garp’ long before the film came out and found it astonishing, quirky and amazing.  The film left me with the same sickly sweet feeling over the adult themes and the churning emotions, the sexual questioning, the anger of maimed woman and the infidelities of people testing their boundaries within the course of life.  No one else could portray these characters other than this cast.

Life is one long adventure. That’s what Jennie Fields told her grandson by the Long Island Sound – where I learned to swim as a child over on the Rye side and where my parents’ ashes where spread decades later.  And I believed it then as a teenager when this film came out. I was looking ahead at life as a wild open field, ready to fly like Garp. But I never realized that in living life and soaring over buildings, subways and oceans,  I would constantly be looking to find home again.  Home – the same place I started before leaping off into the wilderness.

The movie was filmed in the spring and summer of 1981 (released in 1982) when I was still living in Ardsley New York – a small town in Westchester County, NY – very close to the Eastchester filming location for ‘Garp’. I don’t remember hearing about a movie being made with Robin Williams back then, but I do remember being on the AHS Girl Track team and hating the girls over on the Eastchester High School squad. I remember loving The Police, and running track and cross country and daydreaming on rainy autumn Sundays about being with Jimmy Oxley, my Freshman crush. And there are moments in this film that gripped me, like when Garp discovers his sexual awakening, when he falls in love with Helen, when he plays with his children, or when he angrily takes them out of the house on a rainy night after finding out his wife was cheating on him –  or the horrific circumstances that lead to the death of  their child.

Yet, with all this powerful adult stuff happening, just viewing T.S. Garp and Helen growing their family in their “pre-disastered” home, made me feel like I was back home – my real home – Ardsley. The early spring leaves and the lighting captured cinematically transported me back to the cosy world of my childhood, where everything was safe, and my daydreams flourished. Back to a place and a feeling that I’ve longed to find again, struggled to re-live, yet despite the long road and different homes and cities traveled to or lived in throughout the years – just cannot find again. As hard as I try.

And the saddest part is that I stand here today, thirty years after this film was made, 3000 miles away from home. My parents gone. My field still open, but longing to close in on another road. And no more Robin Williams. I wish he could have stayed with us a bit longer. He was so beautiful in this role.


Author: Debi Rotmil

I'm Debi Rotmil. I'm the author of the book "Hitting Water: A Book of Stories" and founder of The Good Write. I work in finance, write, eat, walk the dog, write, blog, jog, spin. I work everyday to try and change the world in my own way.

2 thoughts on “Be Careful of the Under Toad!

  1. I have found that after a number of years have passed, going home is more of an exercise in returning to the place of origin. I did that this past Summer and it was quite interesting.

    We watched “The Angriest Man in Brooklyn” this weekend and it was spooky to see the dates of RW’s character in the funeral scene: 1951—2014. Life and Art are one in the same in this case.

  2. Wow, Allan. That’s a bit spooky. But it’s been a running theme in RW films where aspects of death and suicide seem to match what turned out to be his fate. I also noticed that in “Garp” ‘ Holme Sweet Holme’ was a quote used, touching upon my feeling of home in the film – and also a realization that your blog’s “Ohm Sweet Ohm’ is also a play on these words. Was that a coincidence? (Also – how was “The Angriest Man in Brooklyn?” I really want to see “Boulevard” – a film that may or may not see the light of day. I hope it does.)

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